Mic Archive

Bass trombone

Range
Bb0–F5
Overtones to
about 4.04 kHz
Sources
20 independent: not from a mic maker

What it is

The trombone with a wider bore, a larger bell and two valves that lower it to F and to D (or E-flat); the bass of the trombone section.3

Range

Bb0 to F5329.1 Hz – 698 Hz

VSL, including pedal notes Bb0-Bb1. Two valves lower it to F and to D (VSL also says E-flat or D for one of them).

Overtones reach about 4.04 kHz (the highest harmonic within 40 dB of the strongest, at a moderate level; louder playing reaches higher)4.

Where the sound comes from

  • bell: faces along the bell axis (backwards on the horn); very directional6,2
  • The highs beam straight out along the bell axis; off axis sounds darker.6,2

Where the sound goes

Bell rim 22.8-26.7 cm. Pätynen and Lokki measured only the tenor trombone and expect the bass trombone to behave the same, "only scaled to lower frequencies due to the larger bell" (about a third larger than the tenor's 18 cm); on the tenor the 125 and 250 Hz bands radiate almost all round and from 1 kHz up the sound is concentrated along the bell axis.3,7

About the range

Bb0-F5, with pedal notes Bb0-Bb1; VSL's registers: low to F2, "powerful metallic sounds"; middle F#2 up, slightly darker than the tenor; high from F#3 or F#4 (VSL gives both) to F5.3

How loud

Sound pressure level measurements as published. Different kinds of figure (a playing level, a peak, a dose at the player's ear) can't be compared with each other, and neither can figures at different distances.

Sound power
105 dB(Z)sound power level Lw, unweighted; Playing at forte; value from ISO 23591 Annex A as quoted by Skalevik (Table 4)5

Sound power at forte, from ISO 23591 Annex A: 105 dB (unweighted), one dB above the tenor trombone's 104 and the highest in Skalevik's table; about 98 dB(A) of direct sound at the player's ears.5

Recording it

No bass trombone-specific source found; the trombone's advice applies.

Mics

No mic is named by more than one source yet: each names its own.

All the mics sources name, by setting and role (2)

On stage

Clip-on

The 3 setups behind this: placement and quotes
  • Clip-on Brass advice DPA 4099 CORE+
    clip-on for brass
    4099 for instrument-mounted live use gives more isolation and gain before feedback than the omni (paraphrase).1
  • Clip-on Brass advice DPA 4099 CORE+
    clip-on for brass
    The 4099 gives much more isolation and higher gain before feedback than the omni (paraphrase).1
  • Clip-on Brass advice Shure PGA98H-XLR
    clip-on, brass
    A condenser optimised for brass, with horn clamp and in-line preamp (paraphrase).2

Sources

  1. DPA Mic University: How to mic a trumpet and trombonemanufacturer · dpamicrophones.com
  2. Shure: How to Choose the Best Mics for Brass, Wind, and String Instrumentsmanufacturer · shure.com
  3. Vienna Symphonic Library Academy: Bass tromboneeducational · vsl.co.at
  4. SHARC Timbre Database v2 (Gregory Sandell): harmonic analyses of McGill University Master SamplesGregory Sandell · academic · github.com
  5. Forum Acusticum 2023: Skalevik, Sound levels at musicians' ears from classical instruments during solitary practiceMagne Skalevik · academic · 2023 · dael.euracoustics.org
  6. Sound On Sound: Q. How do I record brass in the home studio?Paul White and Hugh Robjohns · magazine · 2008-03 · soundonsound.com
  7. Pätynen and Lokki: Directivities of Symphony Orchestra Instruments (Acta Acustica united with Acustica 96, 2010)Jukka Pätynen, Tapio Lokki · academic · 2010 · users.aalto.fi