Bass trombone
- Range
- Bb0–F5
- Overtones to
- about 4.04 kHz
- Sources
- 20 independent: not from a mic maker
What it is
The trombone with a wider bore, a larger bell and two valves that lower it to F and to D (or E-flat); the bass of the trombone section.3
Range
Bb0 to F5329.1 Hz – 698 Hz
VSL, including pedal notes Bb0-Bb1. Two valves lower it to F and to D (VSL also says E-flat or D for one of them).
Overtones reach about 4.04 kHz (the highest harmonic within 40 dB of the strongest, at a moderate level; louder playing reaches higher)4.
Where the sound comes from
Where the sound goes
Bell rim 22.8-26.7 cm. Pätynen and Lokki measured only the tenor trombone and expect the bass trombone to behave the same, "only scaled to lower frequencies due to the larger bell" (about a third larger than the tenor's 18 cm); on the tenor the 125 and 250 Hz bands radiate almost all round and from 1 kHz up the sound is concentrated along the bell axis.3,7
About the range
Bb0-F5, with pedal notes Bb0-Bb1; VSL's registers: low to F2, "powerful metallic sounds"; middle F#2 up, slightly darker than the tenor; high from F#3 or F#4 (VSL gives both) to F5.3
How loud
Sound pressure level measurements as published. Different kinds of figure (a playing level, a peak, a dose at the player's ear) can't be compared with each other, and neither can figures at different distances.
| Sound power | |
|---|---|
| 105 dB(Z) | sound power level Lw, unweighted; Playing at forte; value from ISO 23591 Annex A as quoted by Skalevik (Table 4)5 |
Sound power at forte, from ISO 23591 Annex A: 105 dB (unweighted), one dB above the tenor trombone's 104 and the highest in Skalevik's table; about 98 dB(A) of direct sound at the player's ears.5
Recording it
No bass trombone-specific source found; the trombone's advice applies.
Mics
- 3 setups from 2 sources, 0 of them independent of any mic maker.
- On top: the mics more than one source names for this instrument, in any role, the most named first. That is a count of sources, not our verdict.
- Few independent sources so far, so the full list shows no counts.
No mic is named by more than one source yet: each names its own.
All the mics sources name, by setting and role (2)
On stage
Clip-on
- DPA 4099 CORE+from its own maker
- Shure PGA98H-XLRfrom its own maker
The 3 setups behind this: placement and quotes
- Clip-on Brass advice DPA 4099 CORE+clip-on for brass
4099 for instrument-mounted live use gives more isolation and gain before feedback than the omni (paraphrase).
1 - Clip-on Brass advice DPA 4099 CORE+clip-on for brass
The 4099 gives much more isolation and higher gain before feedback than the omni (paraphrase).
1 - Clip-on Brass advice Shure PGA98H-XLRclip-on, brass
A condenser optimised for brass, with horn clamp and in-line preamp (paraphrase).
2
Sources
- DPA Mic University: How to mic a trumpet and trombone
- Shure: How to Choose the Best Mics for Brass, Wind, and String Instruments
- Vienna Symphonic Library Academy: Bass trombone
- SHARC Timbre Database v2 (Gregory Sandell): harmonic analyses of McGill University Master Samples
- Forum Acusticum 2023: Skalevik, Sound levels at musicians' ears from classical instruments during solitary practice
- Sound On Sound: Q. How do I record brass in the home studio?
- Pätynen and Lokki: Directivities of Symphony Orchestra Instruments (Acta Acustica united with Acustica 96, 2010)