Piccolo
- Range
- D5–C8
- Overtones to
- about 8.9 kHz
- Peaks up close
- up to 126 dB SPL
- Sources
- 53 independent: not from a mic maker
Range
D5 to about C86587 Hz – 4.19 kHz
Piccolo in C, sounding an octave above written (written D4-C7). B7 and C8 only fortissimo.
| Low | D5–G5 | dull, rather hollow; few overtones |
|---|---|---|
| Middle | G#5–C7 | the most used register; delicate to piercing |
| High | C#7–C8 | piercing; the top notes forced and shrill |
Overtones reach about 8.9 kHz (the highest harmonic within 40 dB of the strongest, at a moderate level; louder playing reaches higher)7.
The sound
An open pipe like the flute, an octave higher: few, fairly weak harmonics, and a clear breath noise on top.
Where the sound goes
No piccolo-specific source. The general woodwind statement applies (sound from the tone holes along the body, bell mostly a timbre filter). The highest notes are the loudest and most piercing, as the existing entry says.11,1
Playing techniques
- Flutter-tonguing: a rolled R, a rough, buzzing tremolo
- Trills: easy and bright up to about A76
How loud
Sound pressure level measurements as published. Different kinds of figure (a playing level, a peak, a dose at the player's ear) can't be compared with each other, and neither can figures at different distances.
| Playing level | |
|---|---|
| 96–112 dB | at 3 m; UK Sound Advice table of representative noise levels, row 'Piccolo' (single musician) secondary8 |
| 102–118 dB | near the player's right ear; UK Sound Advice table of representative noise levels, row 'Piccolo (near right ear)' secondary8 |
| 90–106 dB | not stated; hearingconservation.org decibel chart, 'Sound Levels of Music' secondary9 |
| Peaks | |
| 120 dB | not stated (peak column of the same table); UK Sound Advice table of representative noise levels, row 'Piccolo' secondary8 |
| 126 dB | near the player's right ear; UK Sound Advice table, row 'Piccolo (near right ear)' secondary8 |
| Sound power | |
| 109.2 dB | maximum sound power level Lw (re 1 pW), no distance; Sengpielaudio table of maximum possible sound power, row 'Piccolo' secondary10 |
96-112 dB at 3 m, peak 120 dB, in the Sound Advice table of representative noise levels; the same table gives a "near the right ear" row of 102-118 dB, peak 126 dB (collated from several sources, weighting not stated). Both read from search-result text, because the PDF would not extract. At 3 m this is 4-7 dB above the flute line in the same table (92-105 dB); the flute row in this file's earlier section is the one to compare.8
Recording it
- Distance: 1 m or more, level with the instrument or slightly above; the top octave is very loud and piercing
- Mics: a small- or large-diaphragm condenser; a ribbon or a dark condenser tames the top
- Watch: close up, breath noise and shrillness grow12
Estimate: Not found in the sources checked (general practice): Mics.
Mics
- 7 setups from 5 sources, 3 of them independent of any mic maker.
- On top: the mics more than one source names for this instrument, in any role, the most named first. That is a count of sources, not our verdict.
- In the full list, each mic shows how many sources name it for that role, and how many of those come from a mic maker.
No mic is named by more than one source yet: each names its own.
All the mics sources name, by setting and role (3)
Studio
The 4 setups behind this: placement and quotes
- Distant ribbon (type only)close-to-room, start 4 ft (1.2 m) or further
A ribbon microphone is recommended to tame the "shrill, piercing sound"; "Start with a distance of 4 feet and don't be afraid of going even further away."
1 - Spot microphonespot, one mic between the two flute players (one of whom sometimes doubled piccolo)
the flutes had a microphone between the two of them (one flautist sometimes played piccolo, paraphrase)
2 - Spot Woodwinds advice Royer ribbon microphonespot, close mics on the woodwinds
Royer ribbon mics on the woodwinds and low brass
3 - Contact Woodwinds advice 2 × Schoeps MK 4pair, stereo pair as overall woodwind pickup
the woodwinds had a stereo pair of Schoeps MK4s as an overall pickup
2
Studio and stage
The 3 setups behind this: placement and quotes
- Close Woodwinds advice DPA 4006close, about 5-10 cm from the instrument, aimed halfway between the mouthpiece and the left hand
"Approx. 5-10 cm away from the instrument, aim the mic halfway between the mouthpiece and the left hand"; omni for lower sensitivity to wind and pop. DPA: the techniques apply to "other variants of the flute family".
4 - Spot Woodwinds advice DPA 4011spot, behind and slightly above the player's head, pointing at the finger holes
"spot-miked behind and slightly above the head of the player, pointing at the finger holes" (4011 cardioid or 4015 wide cardioid). DPA: the techniques apply to "other variants of the flute family".
4 - Close Woodwinds advice condenser (type only)close, about 30 cm from the sound holes
A mic placed about 1 foot from sound holes will produce a natural, well-balanced sound.
5
Sources
- Recording Magazine: Recording the Flute (David Summer), piccolo section
- Sound On Sound: Jake Jackson: Recording The 2012 Olympic Anthems
- Mix: The Changing Landscape of Orchestral Recording (engineer Steve Smith, Music Works Studios)
- DPA Mic University: How to mic a flute or recorder
- Shure: How to Choose the Best Mics for Brass, Wind, and String Instruments
- Vienna Symphonic Library Academy: Piccolo
- SHARC Timbre Database v2 (Gregory Sandell): harmonic analyses of McGill University Master Samples
- Representative noise levels table with orchestra noise guidance (UK Sound Advice material)
- Decibel (Loudness) Comparison Chart, hearingconservation.org
- Sengpielaudio (UdK Berlin): Stoerquelle - Musikinstrument? (maximum sound power of instruments)
- Recording Magazine: Miking Brass and Winds
- DPA Mic University: How to mic a flute or recorder