Mic Archive
Austrian Audio OC18
Photo: Austrian Audio, from its spec sheet, p. 1.

Austrian Audio

Austrian Audio OC18

Large-diaphragm cardioid condenser with ceramic capsule, three-step low cut and two-step pad

Approximate Some readings for this mic are uncertain; see the graphs.

Power Phantom 48 V.

Type
Condenser
Pattern
Cardioid
Sensitivity
−37.7 dBV/Pa
vs 75 side-address condensers

More output than 34% of 75 side-address condensers.

Each stripe is one side-address condenser with a published sensitivity, and each bar counts them; further right means more output. This mic is in blue.

  • Among 204 condensers: more output than 49%
  • Among 311 mics: more output than 65%
Self-noise
9 dB(A)
vs 99 side-address condensers

Quieter than 69% of 99 side-address condensers.

Each stripe is one side-address condenser with a published self-noise, and each bar counts them; further right means quieter. This mic is in blue.

  • Among 258 condensers: quieter than 86%
  • Among 272 mics: quieter than 87%
Max SPL
148 dB SPL
vs 107 side-address condensers

Takes louder sound than 88% of 107 side-address condensers.

Each stripe is one side-address condenser with a published max SPL, and each bar counts them; further right means it takes louder sound. This mic is in blue.

  • Among 277 condensers: takes louder sound than 88%
  • Among 343 mics: takes louder sound than 87%
Rated range
20 – 20k Hz

Frequency response

Angle

Distance

From the graph response, p. 1.

Polar pattern

Transparency

From the graph polar, p. 1. Approximate

All specs

From the spec sheet
Capsulelarge diaphragm, ceramic capsule"the unique ceramic capsule design"; "identical acoustic characteristics as its big brother the OC818".p. 1
Sensitivity−37.7 dBV/Pa (13 mV/Pa)Stated as "Sensitivity (all directions): 13mV/Pa"; converted: 20·log10(0.013) = -37.7.
Self-noise9 dB(A)"Equivalent noise level: 9 dB SPL (A)".
Max SPL148 dB SPLalso 158 dB SPL, in brackets on the sheet; presumably with the pad. "Max SPL: 148 dB SPL (158 dB SPL)"; the sheet does not say what the bracketed figure is. The manual (p. 2): the -10 dB pad position "reduces the bias voltage of the capsule, so the microphone can take 10 dB more input".
Output impedance275 ohmbalanced. "Impedance: 275 Ω (symmetrical)".
Rated load impedance1000 ohmmore than. "Load impedance: > 1 kΩ".
Rated frequency range20 Hz to 20 kHz"Frequency range: 20 Hz - 20 kHz"; tolerance not stated.
ConnectorXLR-3 male"Main Connector: XLR 3 pin".
Weight335 g"Weight: 335 g".
Dimensions157 × 63 × 35 mm"Dimensions: 157 x 63 x 35 mm"; which dimension is which is not stated (presumably height × width × depth).
Supplied accessoriesprotective carry case; OCS8 spider mount suspension; OCW8 foam windshield; OCH8 mic clipThe "OC18 Studio Set". The "OC18 Live Set" is two OC18 with two OCW8 windshields and two OCH8 clips.p. 2
MatchingAny OC18 can be paired with any other OC18, or with an OC818 set to cardioidp. 1
From the manual
Poweringphantom 48 V"phantom power source of 48V (+/-4V), max draw is 2.2mA"; page 2: "according to P48 (48V +/- 4V)". The spec sheet: "Supply voltage: 48 V (< 2.2mA)".p. 1
Current draw2.2 mAmaximum (peak). "max draw is 2.2mA"; page 2: "Peak current consumption is below 2.2 mA".
Low cutoff, 40 Hz, 80 Hz, 160 Hz; high-passSwitch positions "0", "40", "80", "160": "40" and "80" are 2nd-order high-pass filters; "160 is a high pass 1st order filter from 160 Hz to 80 Hz, and a high pass 2nd order filter below 80 Hz". The spec sheet says the same.p. 2
Pad−10 dBalso −20 dB. Switch positions "0", "-10", "-20". "The -10 dB position reduces the bias voltage of the capsule ... whereas the -20 dB Setting reduces the gain by another 10 dB to protect your mixer preamp from overload."
FrontThe side with the logo faces the source
Operating temperature0 to 55 °C (storage -25 to 60 °C)p. 1
Cable lengthXLR cable no longer than 30 m
Made inAustriap. 2
From the quick guide
CalibrationFactory calibrated, ±0.5 dB at 1 kHzp. 2
Acoustics"Open acoustics technology"

Documents

Copies kept by Mic Archive (manufacturers move and drop their documents). Each is © Austrian Audio, unchanged, with its original address.

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